Searching For Weezer’s Holy Grail

For most Weezer fans, the time period between 1997 and 1999 holds a lot of mystique.  The band lost a bassist, replaced him and started demoing and recording songs for their third album.  But by the time The Green Album hit record stores in May 2001, the material from the summer of 1998 was forgotten by the band and never heard by the fans. Not much is known about this time period, perhaps something adding to the era’s mystique.

A few months ago, I was selected to be a blogger at All Things Weezer, the band’s leading fan site, with the idea that I’d write and develop feature-style pieces  Back in February, I started writing about the fascinating, yet maddening period between 1997 and 1999.  It’s taken a while to compile it all, but I’ve published the first of three pieces on the time period.  The first piece mostly deals with Rivers’ time in Boston and while it sets up what’s next, it’s probably the part with the least amount of new information.

Taken overall, the article isn’t meant to be a definitive statement about the time period, but rather, it will hopefully shed some light on what happened.  If you want to take a look, the first part is online at allthingsweezer.com/2010/05/05/indecision-and-abandoning-the-past-part-i/.

Waiting and Waiting (for Pinkerton Deluxe)

UPDATE September, 2010: A Japanese Web site posted a possible tracklist, view it here.

Last fall, Weezer announced a special Deluxe Edition of their second album, 1996’s Pinkerton would appear in stores in February or March 2010.  Not only would this deluxe album feature the 10 tracks of Pinkerton, it would also contain demos, alternate versions and possibly other unreleased gems like a full-band version of Superfriend (from Songs from the Black Hole), Getting Up and Leaving or even the (now) mythical track Tragic Girl.

Last November, I wrote a post speculating what would comprise Pinkerton Deluxe, and I’ve gotten some traffic to the Kingdom thanks to it.  Well, I feel it necessary to post an update: It’s February (almost March) and we’re going to have to wait a little longer for the album.

Weezer Homie Karl Koch posted on allthingsweezer this week that while the tracklist is done, we will have to wait a little longer for Pinkerton Deluxe.  No word on how much longer.

However, before we get Pinkerton Deluxe, we can expect Odds and Ends, a CD featuring a number of unreleased Weezer songs that were recorded for album releases, but never saw the light of day.  If you want to speculate on what songs will be on Odds and Ends, you better have some time on your hands.  All I can say is check out the Weezer Recording History, and anywhere you see a song mentioned as being recorded during an official album session, you have a potential O+E track.

A Close Call For Richard Cuomo

Earlier today, reputable news sources reported that Weezer lead singer Rivers Cuomo and his family were involved in a bus crash, with Cuomo being hospitalized due to rib pain.

However, now eonline is reporting that Rivers is okay.  See for yourself:

Get well Richard.

In all seriousness, I wish Rivers, his wife and daughter a speedy recovery.  A few months ago, The Civee was involved in a car accident and while she’s okay now, she was shook up pretty bad.  And after hearing the basics on the phone right after it happened and waiting to find out more, that’s not a good spot for anyone to be in.

Sure, some Weezer concerts may have to be postponed, but aside from some rib pain, the important thing is Rivers is okay.

Weezer’s Pinkerton Deluxe: Putting The Puzzle Together

UPDATES

October 2010: Looking for Tragic Girl? Click here.

September, 2010: A Japanese Web site posted a possible tracklist, view it here.

February, 2010: There’s an update to this post here.

Back in 2004, Geffen released a deluxe edition of Weezer’s debut album, 1994’s Weezer (the Blue Album). It was a nice two-disc set, with disc one being the album itself and disc two containing the associated B-sides, some demos, live versions and two previously-unheard songs.

Fans enjoyed Blue deluxe, but from the moment it was issued, also started clamoring for a deluxe edition of Blue’s follow-up, 1996’s Pinkerton. And with good reason, as not only does Pinkerton have a number of “how did they leave these off the album” B-sides, but a whole craze devoted to Songs From The Black Hole, discarded material from Pinkerton’s earliest incarnation.

Earlier this year, the band announced that a Pinkerton Deluxe was in the works. Going off of the model of Blue Deluxe, most fans expected a similar two-disc set, with the album on one disc, and disc two containing demos, B-sides, live versions, and if the band was feeling charitable, some unused SFTBH material.

That would have made fans very happy. But earlier this summer, Popular Sounds, a fan blog, claimed much more was on the way for Pinkerton Deluxe:

Coming from an e-mail of vague provinence, I was informed that Pinkerton [Deluxe] will have a total of 43 tracks spanning 2 discs! The source confirmed that Disc 1 is 21 tracks, while Disc 2 is 22 tracks, one of which is a Weezer song no one has ever heard of called “Tragic Girl.” Quick, go look up Rivers’ COR, it ain’t on there. Folks, Pinkerton [Deluxe] is going to be HUGE.

There was a lot of skepticism surrounding these claims. There is no reference to a “Tragic Girl” in either Weezer.com’s Recording History or Rivers Cuomo’s Catalog of Riffs, the two indisputable sources of Weezer and Cuomo’s pre-2005 recording activity. There were some whispers on fan boards that the claims weren’t totally wrong, but the band was quiet about Pinkerton Deluxe, until this week, when the band’s twitter carried the news that the band was in the studio reviewing material for the deluxe album. Adding further intrigue was the confirmation of the Tragic Girl rumor, when without any prompting, Rivers tweeted:

“Tragic Girl” is going to be like “You Know You’re Right” for Pinkerton fans.

With the man behind Weezer confirming the existence of such a song, maybe this 43-track myth has some basis in reality after all.

So other than the ten songs that made up Pinkerton and Tragic Girl, what else will be on those two discs? They have to throw on the official Pinkerton B-sides, Waiting on You, You Gave Your Love To Me Softly, Devotion and I Just Threw Out the Love of My Dreams. A few acoustic versions of Blue and Pinkerton songs also made it as Pinkerton-era B-sides. Another possibility is Getting Up and Leaving, a song the band recorded but never released.

Even adding some of Rivers’ demos of Pinkerton songs, the track count just cracks 20, so it’s likely (if the 43-track item is true) that a number of full-band Songs From the Black Hole will finally make it out of the vaults.

(For those of you who don’t know, Cuomo’s original plan for Weezer’s second album was SFTBH, an ambitious rock opera with a storyline paralleling the band’s rise to fame and life on the road. SFTBH morphed into Pinkerton after the rejection of the rock opera idea, Rivers’ solitary first semester at Harvard and the release of then-bassist Matt Sharp’s first Rentals album).

Some of Cuomo’s original SFTBH demos have made it out on his Alone Series.  But fans have never heard the full-band versions, which Weezer recorded in the fall of ’95 before switching to the Pinkerton concept in the winter and spring of 96.  Going through the Recording history, the following songs got full-band treatment and have not been officially released:

  • Blast Off!
  • Superfriend
  • Longtime Sunshine
  • Longtime sunshine: Special ‘coda’ version experiment

Additionally, the band rehearsed versions of these and other songs which were never released.

In the later Pinkerton sessions, which took place in the summer of ’96, they also recorded I Swear It’s True (an earlier version of which was released on Blue Deluxe) and the aforementioned Getting Up and Leaving.  The band finished these with a different bassist the next summer, but because they were being held for a Pink Triangle retail single which was never released, these versions of these songs are also unheard.

Unlikely to make the album are Rivers’ demos from this era.  Most of Rivers’ demos have been held back for his Alone series, and going by the Recording History, it looks as if all the band recorded during this time was the material that comprised Pinkerton.

(Although, as an aside, it would be interesting if Weezer attempted recording two other songs Rivers wrote during this period, Sheila Can Do [It] and Sunshine O, two upbeat songs which Rivers wrote in between Pinkerton favorites The Good Life and Falling For You.  Both Sheila and Sunshine (which some fans believe to be about werewolves) were played during Rivers’ solo shows in Boston in 1997, and an excellent version of Sheila Can Do [It] is featured on HOMiE Volume 1, the greatest fan cover album of all time.  And neither song seems to fit in the emotional dimension the rest of Pinkerton inhabits).

Some online retailers have posted that Pinkerton Deluxe will go on sale next February, so we should get an idea of the real tracklist sometime soon.  Even if it’s not going to be 43 tracks, there’s still a lot out there that fans want to hear and hopefully, we’ll finally get them.

And once Weezer fans figure that out, then speculation can begin as to what will be featured on Weezer’s upcoming rarities album Odds and Ends.

Weezer's Raditude: You Take the Good, You Take the Rad

In the past I’ve avoided (and have even mocked) musicians and bands that do things like collaborate with other artists, such as rockers who have rappers perform on songs.  For my favorite artists, collaboration (unless if were of the Shatner-Folds-Weezer-Bill Clinton variety) really isn’t my musical bag.  Another thing I’m not a fan of- bands whose lead singer doesn’t take up an instrument.

I don’t know why, these things have just annoyed me.

Well now it looks like I either have to accept these musical trends or find a new favorite band.

On Weezer’s newest album, Raditude (the Deluxe Edition), released today, the band collaborates heavily with other writers and artists, with one track even featuring (groan) a guest-rap from Lil’ Wayne.  To top it off, during recent live shows, Rivers Cuomo has given up his guitar for large parts of the band’s sets.

What’s an old-fashioned Weezer/rock fan to think?

If that fan were me, and he gave Raditude a chance, he’d find out that for the most part, the collaboration isn’t a bad thing (although I hope in the future, they keep it to a minimum) and the album is a good, fun listen.

Despite my misgivings about the collaboration , Raditude works.  There are a few underwhelming songs, but Raditude succeeds in being what Weezer wants it to be – a power-pop rock album highlighting the band’s versatility.  There are ballads, straightforward rock singles and even a song that could be categorized as “world music.”

As evidenced by the title, Raditude is full of lighthearted, enjoyable rock. Pinkerton aside, Weezer was never a serious band (and even then, one could say they still had some goofiness under the surface) and the new album reinforces this.

I feel some songs are up there with the band’s best.  The Prettiest Girl in the Whole Wide World, a song that’s been around for 11 years and the demo of which was released on last year’s Alone II, finally gets a full-band treatment.  The spoken-word intro seems fitting after the wait the fans have had to endure for this song.  Trippin’ Down the Freeway is an up-tempo rocker with a clever lyrical progression in the chorus (although I have no idea what a Shirley Applebee look is).  Put Me Back Together (written with the help of the All-American Rejects) carries the emotional vulnerability of the Pinkerton years and sounds like it could have been written during Cuomo’s ’98-’99 recluse phase.

There are some other gems on the album, such as the lead single (If You’re Wondering if I Want You To) I Want You To, Let It All Hang Out, Can’t Stop Partying (the song with the aforementioned Lil’ Wayne cameo) and The Underdogs.

On the other hand, there are some tracks that just don’t work, such as I’m Your Daddy (while this one is listenable, the title just feels wrong, and the fact that they recently recorded a version of this with Kenny G makes me want to run), Get Me Some (where the band shows their metal influences, and while it’s good from that standpoint, it doesn’t really fit) and In The Mall (which sounds more like a joke song written for one of Andy Samberg’s SNL Digital Shorts).

The one song that I don’t know how to categorize is Love Is the Answer, a song originally recorded for 2005’s Make Believe and earlier this summer, given to Sugar Ray for a straightforward rock treatment.  Well, Rivers took the song back and taking a page out of the George Harrison playbook, incorporated a heavy Indian influence, with Hindi backing musicians.  It’s an interesting song, but I’m still trying to figure it out.

I like these songs, and would like to hear the band incorporate most of them into their live repertoire, including Run Over By a Truck, which features mainly a piano and drums, sounds like something Ben Folds would have dreamed up.

I like Raditude better than last year’s Red Album, for reasons including the return of guitar solos, and the fact that there’s one lead singer on the album, rather than four.

The other positive about Raditude doesn’t involve the album itself, but rather it’s release and promotion.  Once again, Weezer is releasing a number of bonus songs (some lists have this number being as high as 30), including alternate takes and full band demos spanning a number of years.  Some of these offerings (I Hear Bells) have been solid, while others (the Red Album’s Cold Dark World with Rivers on lead vocals) probably won’t be listened to again unless WinAmp hits it on random.

So while not everything on Raditude is among Weezer’s best, there is some truly excellent material here.  Add to that the amount of extra material coming out and you have enough to make any Weezer fan happy.

Even if Rivers is giving up lead guitar duties and teaming up with other musicians.

(If You're Wondering If) Things Are All Right In Weezerville

Today Weezer released the video for their current single (If You’re Wondering If I Want You To) I Want You To.

It’s a fun little video.  Very interesting visually (even if the Weezer kids are disturbing).  But I’m trying to figure out the message to this one.  Best I can come up with, as the kids say, would be “bros before hoes.”

Things I'm Looking Forward To

I’m sure there are a few things I’m leaving out, but here are some things on the calendar:

October 7/8: MLB playoffs begin

October 27:  Release of Raditude, Weezer’s seventh Studio Album

November 26: Thanksgiving

December 25: Christmas

February 2010: Final season of Lost begins

February 14, 2010: Pitchers and catchers report/International Weezer Day

March 28, 2010: Wrestlemania XXVI/MLB Opening Day (a.k.a. The Days of Greatness)

April 7 (est.), 2010: The Civee and I are havin’ a baby.

U2 = Evil Agents of Dr. Wily

The other day, I was in the car with the Civee and U2’s latest single I’ll Go Crazy if I Don’t Go Crazy Tonight started playing.  At first, I didn’t think it was u2.  The opening riff/melody was familiar, but I couldn’t quite place it.

It wasn’t familiar in the way that, say the “Boom-boom chop” that every rock act rips off for at least one of their songs.  Rather, it was familiar in a way that only someone who grew up in the ’80s playing way too much video games would know.

The tune in question?  the Elecman stage theme from 1987’s Mega Man composed by Manami Matsumae and Yoshihiro Sakaguchi.

Don’t believe me? Listen for yourself.  Here’s U2:

[audio:u2sample.mp3]
I’ll Go Crazy if I Don’t Go Crazy Tonight (opening riff, sample)

And here’s the Elecman riff:

[audio:elecmansample.mp3]
Mega Man: Elecman Stage

Don’t get me wrong, I think U2 are a fine group of entertainers, with much more musical talent, than say, Rob Thomas.  I enjoy that Lemon song of theirs a great deal.  But I just want to see Manami Matsumae and Yoshihiro Sakaguchi get their due.

If not, Mega Man will have to conquer Macphisto Man and steal his weirdness power.

Raditude And Beyond

Even if Weezer fans aren’t thrilled with the band’s new songs ‘The Girl Got Hot’ and ‘I’m Your Daddy,’ bassist Scott Shriner gives us plenty to look forward to in a new interview with MOVE Magazine:

“There’s parts of what we’re doing these days that really, really get me happy and excited, and there’s parts of it that I’m still a little bit on the fence about,” Shriner says. “If people aren’t into some of the stuff that’s on this album, the next album will be completely different, and we’re not going to stop making records any time soon. We’re not going anywhere. To tell you the truth, I don’t think we’ve ever been this focused on continuing to move forward than we are right now.”

More of this interview is available here.

Despite their titles, TGGH and IYD aren’t horrible.  And I do enjoy (If You’re Wondering If I Want You To) I Want You To.  And I am looking forward to October 27.

I think soon I should write a list about all the things I’m looking forward to.  Some exciting things coming up.

And not all Weezer related.