Two truths about current Weezer

The past two years have been good to Weezer fans. Not only has the band released three albums (and counting), but lead singer Rivers Cuomo has shared thousands of his demos. As much as I could go on (and on and on) about Rivers’ demos, two thoughts that I’m convinced that are facts have been on my mind about the three Weezer albums we’ve gotten in the last 15 months:

  • Weezer is making some of their best music ever
  • For all those fans wanting a follow up to Pinkerton (or something like Weezer’s second album), the SZNZ project is that follow-up.

None of what I’m about to say should be construed as an attack on any other Weezer album. I love all of the band’s records, even the one that would be at the bottom of my list of albums (if I were to make such things). But there are quality differences between the albums.

Van Weezer, the second album to come out in 2021, was a solid effort featuring Weezer-brand power pop highlighted by some hair metal influences. The first 2021 album, OK Human, was a damn masterpiece. This was a bigger departure for Weezer, featuring a lot of orchestration. The songs were thematically deep and musically complex. And they sounded great.

SZNZ: Spring, which came out two months ago takes what OK Human started and continues it. The SZNZ project is pretty ambitious for Weezer: releasing four themed albums over the course of a year. This activity and the quality of the music makes it a great time to be a Weezer fan.

Twenty years ago, we were just a short time removed from a hiatus where it looked like Weezer may be finished. Weezer put out the Green Album and Maladroit, two albums that fared well commercially (well, at least Green did). But fans didn’t all get behind these two albums like they did Weezer’s first two. A lot of fans online were vocal about being let down by the band. Despite the whining of fans back then, it’s kind of funny to look back on. Because in the years since, we’ve gotten a number of albums, many of which have been proclaimed as the ‘best since Pinkerton,’ or a ‘return to form.’

The thing is (and yes, it’s easier to see now, but still); Weezer is going to do what Weezer wants to do. Or more accurately, Rivers is going to do what Rivers wants to do. Each of their albums sounds different. And that’s a good thing. Weezer can make many different types of music. And with the material they’ve released, there’s something that can make anybody happy. You just have to be okay with what doesn’t fit your taste and accept that other people do like it (a skill I hope the fans of 20 years ago have developed in this time).

These last three albums (although I’m focusing mostly on OK Human and Spring here) have contained some of the best music Weezer has ever made. These are songs that mean something. They sound great. They develop. They have structure. And yet they’re not airtight and devoid of life. Weezer fans are getting great music, and with three more SZNZ albums out this year, it looks like that’s only going to continue.

Speaking of SZNZ, it’s time I addressed something that I’m sure some will consider heresy: that it is the follow-up to Pinkerton that people have wanted.

When it came out in 1996, Pinkerton was groundbreaking. It’s this raw, emotional, rocking concept album with themes and operatic influences. Looking back on it today, it could be seen as a little too emotionally honest and chauvinistic, but it is where Rivers was at the time. People identified with Pinkerton. It meant something to them. Sure it’s natural that fans would have wanted more of the same. But we didn’t get a follow-up for a few reasons:

  1. It wasn’t commercially successful (at first); the reaction to it had Rivers questioning himself and exploring other musical directions (which is every artist’s right). Rivers immediately pursued impersonal, more structured, riff-based rock.
  2. Rivers realized (later) that to get to a place to write the type of material he did for Pinkerton, he would have had to experience pain. And no one should have to make themselves suffer for art.

Just because Rivers changed directions, does not mean the music he made after Pinkerton isn’t any good. He and Weezer have put out some incredible albums. And as a side note, some of the music he made in 1998, when he was working on the follow-up to Pinkerton, is great. Other albums contained parts of the Pinkerton formula. Make Believe and Red were a return to personal songwriting. Everything Will Be Alright in the End was kind of conceptual. But there was nothing that brought it all together until SZNZ.

SZNZ is a project with some major ideas behind it. Each Season has a theme. There are influences from classical music (the first track, Opening Night, contains a rock version of Vivaldi’s Spring) and religion. Lyrically, there’s a bending of time- the lyrics make pop culture references while being set in another time. The songs themselves contain the dynamic nature of the Pinkerton songs – there are random stops and starts and new sections. Or consider A Little Bit of Love, where the chorus changes each time. And like Pinkerton, SZNZ tells a story; the idea is about two angels who leave paradise to live with humankind. It’s an ambitious story, and so far, Rivers is pulling it off.

The one thing that SZNZ doesn’t have is the in-your-face personal nature Pinkerton had. But even then, the very first song is about Rivers’ love for Shakespeare. It might not be as emotionally honest, but that’s not a bad thing.

Weezer fans have it very good right now. We’re getting a lot of great music, both from the band and from Rivers. And those fans who wanted a follow up to Pinkerton are finally getting what they’ve wanted.

Weezer’s Pinkerton Still Brings Home The Turkey And The Bacon

Seventeen years ago I was a sophomore in college. On this day back in 1996,  I walked a few miles between classes to the one record store near Seton Hall University to pick up a CD that was coming out that day, Weezer’s Pinkerton.

Once I purchased the only copy of the CD in the store, I walked/ran back to my dorm room, but was only able to listen to the first three songs before my next class began. All I remember about the class was not being able to wait to hear the rest of the album. Pinkerton was so different from the Blue Album (which was by then, my favorite thing to listen to), but not in a bad way.

The sound of Pinkerton was more raw and the lyrics more emotional, which were a bad news/good news thing for the album’s fortunes. The rawness and emotion, combined with the public’s changing musical tastes meant the album didn’t do well commercially. In the year after Pinkerton’s release I was incredulous as songs like One Headlight and The Freshmen were played constantly on the radio, while Pinkerton‘s songs were ignored.

At the same time, fans loved this approach and the public rediscovered the album a few years later after word-of-mouth and file sharing attracted more listeners, leading to the band’s resurgence in 2000.

But by then, it was too late for Weezer’s Rivers Cuomo, who abandoned the approach that made Pinkerton what it was and sought out a more generic way of crafting the perfect pop rock song (this approach, which led to the Green Album, also was responsible band’s fascinating, yet vague (and too minimal) output in 1998). The band has also embraced (or re-embraced) the album, even releasing Pinkerton Deluxe Edition three years ago.  The highlight of this special edition was Tragic Girl, a song originally demoed at the last minute then promptly forgotten.

After my class, I rushed back to my room and listened to the whole of Pinkerton. I realized it was no Blue Album, but that was not a bad thing. It was an amazing, personal, rocking album. And it’s still amazing all these years later.

Waiting and Waiting (for Pinkerton Deluxe)

UPDATE September, 2010: A Japanese Web site posted a possible tracklist, view it here.

Last fall, Weezer announced a special Deluxe Edition of their second album, 1996’s Pinkerton would appear in stores in February or March 2010.  Not only would this deluxe album feature the 10 tracks of Pinkerton, it would also contain demos, alternate versions and possibly other unreleased gems like a full-band version of Superfriend (from Songs from the Black Hole), Getting Up and Leaving or even the (now) mythical track Tragic Girl.

Last November, I wrote a post speculating what would comprise Pinkerton Deluxe, and I’ve gotten some traffic to the Kingdom thanks to it.  Well, I feel it necessary to post an update: It’s February (almost March) and we’re going to have to wait a little longer for the album.

Weezer Homie Karl Koch posted on allthingsweezer this week that while the tracklist is done, we will have to wait a little longer for Pinkerton Deluxe.  No word on how much longer.

However, before we get Pinkerton Deluxe, we can expect Odds and Ends, a CD featuring a number of unreleased Weezer songs that were recorded for album releases, but never saw the light of day.  If you want to speculate on what songs will be on Odds and Ends, you better have some time on your hands.  All I can say is check out the Weezer Recording History, and anywhere you see a song mentioned as being recorded during an official album session, you have a potential O+E track.