Seventeen years ago I was a sophomore in college. On this day back in 1996, I walked a few miles between classes to the one record store near Seton Hall University to pick up a CD that was coming out that day, Weezer’s Pinkerton.
Once I purchased the only copy of the CD in the store, I walked/ran back to my dorm room, but was only able to listen to the first three songs before my next class began. All I remember about the class was not being able to wait to hear the rest of the album. Pinkerton was so different from the Blue Album (which was by then, my favorite thing to listen to), but not in a bad way.
The sound of Pinkerton was more raw and the lyrics more emotional, which were a bad news/good news thing for the album’s fortunes. The rawness and emotion, combined with the public’s changing musical tastes meant the album didn’t do well commercially. In the year after Pinkerton’s release I was incredulous as songs like One Headlight and The Freshmen were played constantly on the radio, while Pinkerton‘s songs were ignored.
At the same time, fans loved this approach and the public rediscovered the album a few years later after word-of-mouth and file sharing attracted more listeners, leading to the band’s resurgence in 2000.
But by then, it was too late for Weezer’s Rivers Cuomo, who abandoned the approach that made Pinkerton what it was and sought out a more generic way of crafting the perfect pop rock song (this approach, which led to the Green Album, also was responsible band’s fascinating, yet vague (and too minimal) output in 1998). The band has also embraced (or re-embraced) the album, even releasing Pinkerton Deluxe Edition three years ago. The highlight of this special edition was Tragic Girl, a song originally demoed at the last minute then promptly forgotten.
After my class, I rushed back to my room and listened to the whole of Pinkerton. I realized it was no Blue Album, but that was not a bad thing. It was an amazing, personal, rocking album. And it’s still amazing all these years later.