Tag: Weezer

I found out something important last week. If concert tickets say ‘Rain or Shine,’ that means the concert will take place outside.

Also, that means there will be rain.

Last Friday, I saw my 12th Weezer concert outside the casino in Cincinnati (the outdoor concert was across the street from the county jail). The Civee graciously accompanied me despite the rain, which started as the opening band (Cincinnati’s Daap Girls) got their set underway. The Daap Girls weren’t the worst Weezer opening band I saw, nor were they the least memorable, so that’s a bonus. Although, the most entertaining part of the Daap Girls set was the dancing of the world’s biggest Daap Girls fan who was standing next to me. The rain let up for a bit before Weezer got started, but ramped back up to torrential levels about four songs in.

Even with the rain, I enjoyed the show. The set list was along the lines of the greatest hits set they’ve been playing lately (don’t they have a new album they should be working on?) with the addition of No One Else, which was great to hear. They sounded good, and changed up arrangements on some of the songs, including (If You’re Wondering If I Want You To) I Want You To. Plus, they played No One Else.

Something different about this show- the crowd felt older. A lot of the people around us were talking about their kids. There was a family right in front of us, with two kids who looked to be about eight or nine. Seeing that made me think that I may be able to bring Hope to the next show, although I may not be able to get as close as I did Friday night.

Even though we was soaked by the end of the show (more accurately, soaked after standing there for 10 minutes), it was a fun show. The outdoor area of a casino across the street from a county jail made the location interesting. And while I could have done without the rain, it was certainly a memorable show.

With apologies to Homer Simpson, everyone knows Rock Music attained perfection in 1994.

I rest my case.

Maybe I’ll listen to some Make Believe too.

Weezer’s first album came out 18 years ago last month. Since then, they’ve released eight (or nine, depending on who you talk to) more, along with a plethora of b-sides and other songs that never even made it to an album.

I’ve written before about the large amount of material the band has produced but never released. But there’s a whole other category of Weezer song I’ve never really written about before: those songs that never made it to an official release (album, compilation, b-side or official digital companion) that somehow ended up in the hands of the fans.

Ten years ago, while working on their fourth album, Maladroit, Weezer put multiple versions of each album contender up on their Website for the fans to download. But they didn’t stop there- they also uploaded early versions of their fifth album demos (which never made it to an official release) and lead singer Rivers Cuomo shared many of his home demos with fans.

The reaction to the songs being shared was mixed. Fans debated the quality of the material, but most appreciated the chance to hear the songs throughout their development. To those who became fans after the Maladroit era, many of these (and other unreleased material) remains a surprise. And that’s the point of this list, to look at a number of Weezer songs that haven’t been “officially” released but are readily available.

In addition to the list above, I’m not counting Rivers’ solo demos or songs from his Boston shows (that’s what the Alone series is for). Nor am I counting early versions of songs that ended up on an album (if I were, the “doo-doo-doo-doo” Burndt Jamb and If You Want It would be on the list). Most of these songs were recorded between 2001 and 2002. That era is so heavily represented because that’s the source of most of the unreleased songs. Also, I’m relying on YouTube here, and the only available versions of these songs are from concerts, so I apologize in advance for the quality.

Here we go: Ten Awesome Weezer Songs You’ve Probably Never Heard (unless you’re a die-hard crazy fan):

10) 367

Put up on Weezer.com sometime in April of 2002, after the Maladroit sessions, but before the album was released. It featured what seemed to be a more personal theme than anything on Maladroit and some great instrumentation. The band would revisit this song later that year, but this is the best version.

9) Everybody Wants a Chance to Feel All Alone

From an acoustic session in the fall of 2002, released along with a version of Private Message (keep reading). The lyrics (seemingly involving choking) are a bit…different.

8) Saturday Night

Recorded with a slew of other songs in the summer of 2001 in Washington, DC, with Mikey on bass. Not sure what the song is about exactly, but it sounds like they’re having fun here. Weezer later attempted this during the Maladroit sessions, but it sounded differently.

7) My Brain is Working Overtime

Yes, a demo version of this song was available on Alone II. But this version is from the summer of 2000. This was one of the first new songs played by the band after coming back from their 1998-2000 hiatus. A poor version of this was available immediately after that first show (which took forever to download back in the days of dialup). Thankfully, better versions still surfaced.

6) The Victor

I can’t find a version of the best take of this song -released along with 367, the song features the same instrumentation and real point of view. Additionally, the April ’02 version started off with a near-minute long instrumental jam. This take, from later on in the year, isn’t as good, but is still pretty decent.

5) Sandwiches Time

Weezer recorded three different versions of this oddly-named tune, in the fall and winter of 2001. One version featured Rivers singing in his normal voice. The other two, well, you can hear for yourself. I also have to mention this is Hope’s favorite Weezer song title.

4) So Low

This goes without saying for all of the songs on this list, but I really think Weezer missed out by not putting So Low on an album. I first heard it at the Detroit show in September ’01 and got chills listening to it. The band played this a bunch of times in the fall of 2001 and then forgot about it. It resurfaced in the summer of ’02, but was changed to Mansion of Cardboard, a song about homelessness, and the magic was gone.

3) O Girl

Another one of the Summer 2000 Songs, or the first batch of Post-Pinkerton new songs. The song is energetic with a crazy (in a good way) chorus. There’s probably a better-sounding version of this out there, but it’s great to see this one being played.

2) Private Message

This is from the same acoustic session as Everybody Wants a Chance to Feel All Alone. This is actually the fourth version of this song we have (but I couldn’t find a video of my favorite, the original from April ’02). Personal lyrics and a great sound here, with the electric version featuring an energy that was only touched upon in the songs that made up Maladroit.

1) Baby

Some would say I’m cheating here. This song is from a show Rivers performed in Boston in January of 1998. However, bandmate Pat Wilson played the drums at this show. Additionally, the band would attempt this song in the spring of ’98 as they tried to get their third album off the ground. This was one of those songs Rivers wrote as a reaction to Pinkerton, a quasi-romantic repetitive song with lyrics that were poetic, but not personal. I’m not sure what this song is about (some interpretations of the lyrics are downright creepy), but I love it.

As I mentioned, most of these were released around 2002 and were recorded during an era where the band shared everything. Even with what we have, there are a number of good songs that didn’t make the list. While they don’t share as much anymore, they have opened up the vaults slightly. Other bands are using digital distribution streams to make money off their unreleased songs. If Weezer ever does the same, I might as well just send them my paychecks directly.

I originally wrote the following in 2010 for a Weezer-related blog that doesn’t exist anymore. This was written before Death to False Metal, Mikey’s Facebook posts and the release of the Pinkerton Diaries. I hope you enjoy reading it as much as I did writing it.

“…and tomorrow we go to LA to make our new record”

Rivers Cuomo spoke these words to a Boston audience on January 14, 1998. With Pat Wilson manning the drums, Weezer’s fans, both those in attendance and those who would later hear the show through tapes and MP3s had reason to be optimistic. Sure, Pinkerton wasn’t a commercial success, but for the band’s fanbase, it was the perfect album. There was some discord among the band during the post-release promotion and tour schedule, but here, in Boston, half of the band was on the same stage, playing together once again. And while Rivers slowly began to distance himself from the Pinkerton material, fans were pleased with these new songs.

Indeed, Weezer was off to Los Angeles to make a new record. But Weezer’s third record wouldn’t hit stores for another three years, during which time the band lost and gained a bassist, the fanbase would swell thanks to filesharing and Rivers Cuomo and his music would each undergo dramatic changes.

This is not the story of the third album, 2001’s Weezer (The Green Album). Rather, this is the story of Rivers’ final months in Boston through the time the band ceased recording in the fall of 1998. Just as information from this time period is sparse, so is the musical output. As Karl Koch put it, the band “refused to let their management even hear what they were doing for the most part, and shared only a small fraction of the music then or since.” Pat calls the time period “one of indecision and abandoning the past.” This is an attempt to explore the time period using the little available news from the era, along with the words of the band and their friends, and to shed some light on one of the most fascinating (if only because little is known about it) periods in Weezer history.

In August 1997, Weezer returned to the United States after supporting No Doubt and headlining their own shows overseas. The band had been through a heavy period of emotional turmoil; dealing with the reaction to Pinkerton, members wanting to focus on their side bands and the deaths of fanclub founders (and some of the band’s earliest supporters), sisters Mykel and Carli Allan and their sister Trysta.

Continue reading “Weezer in ’97-’98: Indecision and Abandoning the Past” →