The other day The Civee noticed that Hope was banging two bottles together in her hands. For a few weeks now, she’s been able to clap. Yesterday, she started clapping while standing. Then it hit me- our baby is now a multitasker.
Around this time last year, I was blogging about TV shows that are no longer on the air (this one, this one or this one), the day The Civee and I spent cleaning out the basement at our old apartment or quirky methods of measuring the size of babies during pregnancy. Obviously, a lot has changed- we now have a new basement that’s somewhat in order and Hope is a lot bigger than your average butternut squash (not only is she bigger than one, but she eats them too).
I’m sure there will be a lot of new things for Hope this year. Her next surgery is scheduled for early February. She’s on the verge of walking. She’s trying all sorts of new foods. I’ll be blogging about all of those things. And maybe if I have time, I’ll blog about some other things too.
Christmas has come and gone, and for Hope, it was a wonderful, if overwhelming time.


The day is finally here for fans of Conan O’Brien: the whiskey snortin’ leprechaun cavortin’ wizard of late night returns to television.
Pinkerton Deluxe, which fans have clamored for since 2004’s reissue of The Blue Album receives the same deluxe treatment. The original album has undergone a remastering (or some other type of sonic updating). Following the ten Pinkerton tracks, are the album’s b-sides which are nice to have in one place and radio remixes of The Good Life and Pink Triangle. Then there are a slew of live tracks- some from an acoustic show in Philadelphia from the summer of ’97 (the same show that was responsible for this
The other treat for Weezer fans today is Death to False Metal, a collection of ten previously unreleased songs that were recorded for one album or another. Rivers is calling it the band’s ninth album, and considering Weezer hasn’t had a thematically linked album since Pinkerton, it’s hard to argue with him. The songs span the band’s redording efforts from 1998 through 2009. However (and a small complaint about the collection), half the album focuses on the sessions for Weezer’s fifth album, which eventually became 2005’s Make Believe.